Madame Xanadu #1

Written by Matt Wagner
Art by Amy Reeder Hadley
32 pages, color
Published by Vertigo/DC Comics

My past exposure to the character Madame Xanadu was in John Ostrander and Tim Mandrake’s run on The Spectre, where the character served as an advisor to the main character. She was an interesting character, one who could divine the future but generally speaking stayed out of the goings on the world herself. When DC announced Matt Wagner and Amy Reeder Hadley were the creative team for a new Madame Xanadu comic, I was cautiously optimistic. After all, I’ve enjoyed Wagner’s writing in the past, and Hadley’s art certainly looked nice in the promos. But really, you never know what you’re getting until the book shows up. And sometimes, the end result can surprise you.

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Wonder Woman #20-21

Written by Gail Simone
Pencilled by Aaron Lopresti
Inked by Matt Ryan
32 pages, color
Published by DC Comics

I always feel like I need to give credit to a new creative team, when their run follows up on what came before. It seems like a natural thing to ask for—but so often everything that existed before the new regime is thrown out (cast members, setting, raison d’étre) in favor of something new and different with which the new people can make their mark. So with Gail Simone’s taking over of Wonder Woman, she’s juggling two previous takes on the character along with her own. And here, at least, it almost seems to work.

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House of Mystery #1-2

Written by Matthew Sturges and Bill Willingham
Art by Luca Rossi, with Sophie Campbell and Jill Thompson
32 pages, color
Published by Vertigo/DC Comics

The new revival of House of Mystery sounded so strange that I simply had to take a look at it: part running narrative about a house that pulls people in and out of its grasp, part anthology thriller with guest artists illustrating short stories. It was, to be honest, a really different hook for a series. Now that I’ve read the first two issues, though, I have to give Vertigo credit for grabbing this pitch; in a market where single issue sales are falling by the wayside, this is a book where I want to buy every issue.

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Action Comics #865

Written by Geoff Johns
Art by Jesus Merino
32 pages, color
Published by DC Comics

One thing I’ve noticed that happens on a pretty regular basis in super-hero comics is a periodic retooling of a supporting character. More often than not, it’s a villain, one that a writer often seems to feel was handled in a way that should be fixed, or at least changed. Sometimes it’s generally viewed as successful, like Geoff Johns’s handling of the Flash’s Rogues Gallery during his time on the book. Other times, it’s a change that seems to anger most readers, like Doctor Light in Infinite Crisis. With the new Action Comics, Johns is clearly hoping for the former as he tackles a character with one of the stupider names in comics—Toyman.

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Showcase Presents: Metamorpho

Written by Bob Haney, with Gardner Fox
Penciled by Ramona Fradon, Joe Orlando, Sal Tripani, Jack Sparling, and Mike Sekowsky
Inked by Charles Paris, Jack Sparling, Mike Esposito, and Bernard Sachs
560 pages, black and white
Published by DC Comics

One of the great things about the Showcase Presents line is that it brings back into print comics that many of us almost certainly would have never encountered. For me, that would have definitely been the case with Showcase Presents: Metamorpho, collecting all 17 issues of the titular character’s comic from the mid-60s, as well as a handful of other appearances. And reading the book, it’s easy to see both why he was chosen to be plucked out of obscurity years later, and also perhaps why the book was cancelled in the first place.

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Young Liars #1-2

By David Lapham
32 pages, color
Published by Vertigo/DC Comics

I still remember when David Lapham’s Stray Bullets #1 first hit stores. It was a huge leap forward for him artistically, and the writing was like nothing I’d have expected from Lapham. At the time he was best known for his work on books like Harbinger and Warriors of Plasm; his gritty, urban crime story was a far cry from psychic teenagers or inter-dimensional gladiators. With the debut of his new series Young Liars for Vertigo, I was ready to be blown away with a new Lapham creation. What I found, though? Certainly not what I was expecting.

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Hellblazer: Joyride

Written by Andy Diggle
Art by Leonardo Manco
192 pages, color
Published by Vertigo/DC Comics

If there’s one property that Vertigo will probably publish until the end of time, it’s Hellblazer. They’ve got good reason to; its staying power has proven in over 240 issues of the main comic, almost 30 trade paperback collections, numerous mini-series, and twenty years of continuous publication. What’s actually a little surprising, then, is that it not only continues to chug onwards but that writers are able to keep the series fresh—a feat that new writer Andy Diggle has succeeded with his start as Hellblazer‘s new writer.

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Good As Lily

Written by Derek Kirk Kim
Art by Jesse Hamm
176 pages, black and white
Published by Minx/DC Comics

After creating the multiple-award-winning Same Difference and Other Stories, all attention would certainly be on Derek Kirk Kim’s next major project. Good As Lily, teaming him with artist Jesse Hamm, at first seemed like a slight and perhaps forgettable new book. The longer it’s been since I’ve read Good As Lily, though, the more I find myself thinking about it—and in a good way.

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Legion of Super-Heroes #37-38

Written by Jim Shooter
Penciled by Francis Manapul
Inked by Livesay
32 pages, color
Published by DC Comics

If you ask long-time Legion of Super-Heroes fans what eras make up the high points of the series, almost every single one will include Jim Shooter’s run on the book. Famously beginning writing the series at the age of 14, Shooter created numerous long-running characters for the series, and to great success. Now, some 30 years after he last left the book, Shooter has returned to the book that began his comic book career. But are the two still a good fit for each other?

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Clubbing

Written by Andi Watson
Art by Josh Howard
176 pages, black and white
Published by Minx/DC Comics

With DC Comics’s new Minx line, the closest the imprint seems to get to a trade dress is having covers be a mixture of photographs and drawn art. Looking closely at Clubbing, the book mixes the London club scene with the pastoral hills of England’s Lake District. It’s a bit of a mish-mash of a cover, the two pictures and the piece of Josh Howard art not working very well together, looking like it’s trying for several different feels and not succeeding at any of them. And, unfortunately, that’s also a pretty good synopsis for the book itself.

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