Re-Gifters

Written by Mike Carey
Penciled by Sonny Liew
Inked by Marc Hempel
176 pages, black and white
Published by Minx/DC Comics

One of my absolute favorite books of 2004 was My Faith in Frankie by Mike Carey, Sonny Liew, and Marc Hempel, a fun story about friendship, love, and personal gods. When I’d heard that they were teaming up to create Re-Gifters, a graphic novel about martial arts and crushes, I was cautiously optimistic. It’s easy to get one’s hopes up a little too high based on past successes; after my large expectations were created, would a book about a girl living in Los Angeles studying hapkido still be able to make me happy?

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Plain Janes

Written by Cecil Castellucci
Art by Jim Rugg
176 pages, black and white
Published by Minx/DC Comics

There’s a big difference between a plot synopsis and the actual finished product. So often, the two end up mismatched, with one of them being lackluster and the other being fantastic. Ideally, you want the two to be on equal footing, but in the case of books like Cecil Castellucci’s and Jim Rugg’s The Plain Janes that’s not always the end result. For what was the big initial launch book for DC Comics’s new Minx line, that can be a little worrisome, because no matter if it was the idea or the execution that fell down, somewhere along the way you run the risk of scaring off potential readers.

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Welcome to Tranquility #1-4

Written by Gail Simone
Art by Neil Googe
32 pages, color
Published by Wildstorm/DC Comics

When DC Comics announced the revamp of the Wildstorm comics line last year, most of the books from the new line-up were retooled concepts that were already published. The one exception was Gail Simone and Neil Googe’s Welcome to Tranquility, an ongoing series about a retirement village for super-powered individuals. Now that the series is four issues in, Welcome to Tranquility is simultaneously one of the more interesting and frustrating books I’ve read in a while.

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StormWatch: Post Human Division #1

Written by Christos Gage
Art by Doug Mahnke
32 pages, color
Published by WildStorm/DC Comics

WildStorm’s StormWatch has in some ways always been a troubled title. Early on the series’s history it released an issue #25 almost eighteen months early to let readers play the “how would they get there?” game. Later the book got heavily revamped by Warren Ellis and Tom Raney, then restarted with a new #1 before being cancelled to lead into The Authority. A new book called StormWatch: Team Achilles survived for two years before getting cancelled amid low sales and creative team scandals. Now the book is back again under the new moniker StormWatch: Post Human Division. And while the subtitle may not be the most riveting, Christos Gage and Doug Mahnke’s stab at the book might just have a chance of surviving.

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Superman #650

Written by Kurt Busiek and Geoff Johns
Art by Pete Woods
32 pages, color
Published by DC Comics

It’s tough to write Superman. Maybe it’s because the character’s been around for so long that everyone has grafted in their head exactly what he should be like; maybe it’s a perception from the first two movies starring the character. Regardless, he’s a very difficult character to write. Fortunately, Kurt Busiek and Geoff Johns seem to know exactly how to do just that.

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Dead Boy Detectives

By Jill Thompson
144 pages, black and white
Published by Vertigo/DC Comics

When Jill Thompson wrote and drew Death: At Death’s Door, it was a charming little sidestep off of Neil Gaiman’s Sandman: Season of Mists, showcasing several of the other Endless as all of the dead came back to life. Now Thompson’s written and drawn a second Sandman-connected digest—and the difference between the two could not be more obvious.

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Action Comics #827-828

Written by Gail Simone
Penciled by John Byrne
Inked by Nelson
32 pages, color
Published by DC Comics

I’ve never understood why so many writers find it hard to write Superman. One of the oldest characters in comics, you’d think that would make it easy to get a handle on him, with so much history already established. Yet, time and time again, writers come on board the various books and fail to get a grasp on him; that’s probably why Gail Simone’s debut on Action Comics is all the more refreshing, because she “got it” immediately.

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DC: The New Frontier Vol. 1

By Darwyn Cooke
208 pages, color
Published by DC Comics

One of the things that struck me the most about DC: The New Frontier is that creator Darwyn Cooke’s entire focus is on telling a good story. It’s not wondering on how the book fits into the continuity of 1950s comics, or if the book should be an “Elseworlds”, or if there’s some sort of agenda or big event spin-off that needs to get across. To me, DC: The New Frontier felt like a book with a singular goal, and that’s to be written and drawn as best as it possibly can. It succeeds, too.

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Vimanarama #1

Written by Grant Morrison
Art by Philip Bond
40 pages, color
Published by Vertigo/DC Comics

There are many different types and styles of storytelling; some can shift from one form of media to another with the greatest of ease, while others seem bound to a specific form. It’s important, though, to not get caught up in your assumptions of what can and cannot work. If so you’ll blind yourself that the impossible can be done… like, for instance, combining science-fiction comics with elements of Bollywood musicals.

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We3

Written by Grant Morrison
Art by Frank Quitely
40 pages each, color
Published by Vertigo/DC Comics

With so many comics being published every month, it’s easy for a stray mini-series to pass people by, even though it’s by creators with pretty big name recognition. I can only assume it’s why the top-selling comic this winter hasn’t been Grant Morrison’s and Frank Quitely’s We3.

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