Shaolin Soccer Vol. 1

By Andy Seto
128 pages, color
Published by ComicsOne

For the past year or two, it’s been hard for me to escape the buzz around the upcoming American release of Hong Kong movie “Shaolin Soccer”. Actor Stephen Chow attended Comic-Con International last year and was reportedly amazed at how many people were not only aware of his movie, but avid fans. As the release date grows closer and closer, I find myself all the more intrigued and excited about this movie… so I was thrilled when I found out that ComicsOne was publishing Andy Seto’s comic adaptation of the movie as well. As far as I was considered, this was the perfect way to get a preview.

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Big O Vol. 1

By Hitoshi Ariga
208 pages, black and white
Published by Viz

Sometimes all it takes is a catchy premise to score a new reader. Take The Big O: a book set in Paradigm City, where 40 years earlier everyone lost their memories. Now people use pieces of the forgotten past to forge the future. Sounds great, right? Well, just keep in mind that a good premise does not automatically equal a good final product. You’ve got to take advantage of that potential and really turn it into something special.

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Naruto Vol. 1

By Masashi Kishimoto
192 pages, black and white
Published by Viz

Naruto is a backwards series. I don’t mean that reversing the title reveals the secret word “Oturan”, and I’m not referring to the right-to-left progression of the page. No, Naruto is a backwards series because creator Masashi Kishimoto has cleverly reversed all the normal standards of a “young hero in training” comic into something uniquely different.

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Yu-Gi-Oh! Vol. 1

By Kazuki Takahashi
200 pages, black and white
Published by Viz

Sometimes you think you know what a book’s about before you even read it. I’ve had the extreme misfortune to both discover a Magic: The Gathering card game tournament on cable as well as an episode of Yu-Gi-Oh! and I’m not sure which was less exciting, watching people play card after card after card. So when I first encountered the original Yu-Gi-Oh! comics that spawned the hit cartoon and collectable card game, I figured I already had this book completely figured out.

Wrong.

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Pet Shop of Horrors Vol. 1

By Matsuri Akino
200 pages, black and white
Published by TokyoPop

The anthology is rarely a commercial success no matter what form it takes. Prose, television, movies, comics… the number that take off in their own right and really, really do well is awfully small. It’s easy for the audience to fail to find an ever-present hook to keep them around when the basic story changes from segment to segment. The solution? Find a central character or setting to structure these different stories around. Old EC Comics did it in the form of a narrator, with characters like the Crypt-Keeper or Old Witch. Junji Ito’s Tomie stories did so with the titular reoccurring antagonist. And in the case of Matsuri Akino’s comics to just get translated into English, it’s in the form of a certain mystical pet shop in Chinatown.

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Alien Nine Vol. 1

By Hitoshi Tomizawa
224 pages, black and white
Published by CPM Manga

One gets the impression that Tomizawa has seen one too many “cute girls save the world” stories. That’s my reasoning for the thought process behind Alien Nine, at any rate. At a casual glance, it looks like your typical entry in that genre, with 6th graders and matching outfits and evil aliens. It’s when you start adding in the revulsion factor, though, that one first gets the hint that this is not quite what you were expecting, here…

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Ranma 1/2 Vol. 1

By Rumiko Takahashi
312 pages, black and white
Published by Viz

If you had to pick Japanese comic book superstar Rumiko Takahashi’s greatest success, I think most would agree that it’s Ranma 1/2. With 34 collected volumes of comics, to say nothing of the 7-season/143-episode animated series, and multiple theatrical and direct-to-video stories, there’s a whole lot of Ranma 1/2 material out there. It’s best to start at the beginning, though, and with Viz’s new edition of Ranma 1/2 having just hit stores, there’s never been a better time to take a look at what started it all.

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Fushigi Yûgi Vol. 8

By Yû Watase
200 pages, black and white
Published by Viz

When is a book not a book? When it’s a living, breathing world in its own right. It’s rather apt that in Yû Watase’s series Fushigi Yûgi (aka The Mysterious Play) the characters have just that sort of object in the form of The Universe of the Four Gods, because one could make the case for Fushigi Yûgi itself being another such item.

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Junko Mizuno’s Hansel & Gretel

By Junko Mizuno
144 pages, color
Published by Viz

If you think about it, the original story of “Hansel & Gretel” isn’t terribly logical. Parents, unable to feed their children, decide that abandoning them in the middle of the forest is the answer to all their problems. (And if at first they come trapsing home, abandon them even further into the forest.) Only once they’ve avoided near-death at a witch’s hands do they come home, and all is well with their family life because now they can eat the witch’s edible candy house and not have to try and write each other off. Either these are the most-trusting, or the stupidest children in the world. Possibly both. In any event, this probably explains why in Junko Mizuno’s Hansel & Gretel, Mizuno only took a couple of specific elements she liked from the original story and threw out the rest.

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