By Brian Ralph
48 pages, black and white
Published by Bodega Distribution
When is a gimmick not a gimmick? That’s a question I quickly found myself contemplating as I read Brian Ralph’s series Daybreak. Taking a rarely used storytelling device of setting the story in the second person (and thus making the reader part of the story), it’s easy to write off the decision as an attention-grabbing stunt, or just an attempt to be different. The more I read of Daybreak, though, the more convinced I am that Ralph’s using it as part of a plan to tell a very different story of survival. And when you look at it that way, it works remarkably well.