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Chase Variant One Shot (Is All I Need)

Written by Rich Johnston
Art by Saverio Tanuta and Bagwell
28 pages, color
Published by Image Comics

I don’t mind when comic creators try and play with the format of comics; when done properly, I applaud it. When reading Chase Variant One Shot (Is All I Need), though, a corollary to that general rule quickly came into play. Not only do creators need to have a solid reason for playing with form, they also need to understand when that shift in format has turned from something different and interesting to a gimmick that’s starting to bore your readers.

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Web #6-7

Written by Matthew Sturges and John Rozum
Penciled by Roger Robinson and Tom Denerick
Inked by Roger Robinson and Bill Sienkiewicz
40 pages, color
Published by DC Comics

I can’t begin to imagine how hard it is to launch a new superhero comic in today’s market. More often than not people don’t want things that are new, instead seeing the same old favorite properties rehashed. So to introduce something new, it needs to grab readers right away, have that extra little oomph that makes people decide this new character or concept is worth reading instead of (or in addition to) an old favorite. That’s why I think that The Web (and The Shield) failed, at least enough that DC is canceling their titles in June. The sad thing is that even with a horrible lackluster mini-series (The Red Circle) to introduce the characters, coupled with some potential readers thinking, "Yuck, revamps of superheroes from Archie Comics," there was a lot of potential in these two titles. And in the case of The Web, the latest two issues seem to have finally fully realized the potential.

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Spell Checkers Vol. 1

Written by Jamie S. Rich
Art by Nicolas Hitori de and Joëlle Jones
144 pages, black and white
Published by Oni Press

How bitchy do you like your bitchy-high-school-girls stories? That, at the end of the day, is going to determine how much you like the new Spell Checkers series of graphic novels from Oni Press. Because trust me, Jamie S. Rich, Nicolas Hitore de, and Joëlle Jones have created a supremely bitchy trio of witches here, and while I suspect that will be a turn-off to some readers, other ones are going to laughing their heads off and cheering the ladies on for much, much more.

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Zig and Wikki in Something Ate My Homework

Written by Nadja Spiegelman
Art by Trade Loeffler
40 pages, color
Published by Toon Books

I adore the Toon Books line, a series of slim books for younger readers that merge comics and children’s books into a single entity. So now, every time there’s a new publication on the horizon, I found myself eager to read it for myself. In the case of the new Zig and Wikki in Something Ate My Homework, what I wasn’t expecting to find was a slightly educational story starring two aliens. But the more I read it, the more I find myself enjoying it.

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Angel: Lorne

By John Byrne
48 pages, color
Published by IDW

When actor Andy Hallett passed away in March 2009, it left the publishers of the Angel comic at IDW in a slight quandary. While not the main character of the series, Hallett’s character Lorne had shown up on a fairly regular basis. Deciding that they would at least temporarily retire the character, the Angel: Lorne one-shot was conceived. And as a way to say goodbye to the character? Well, it’s not going to knock you out, but its heart is in the right place.

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Brave and the Bold #32

Written by J. Michael Straczynski
Art by Jesus Saiz
32 pages, color
Published by DC Comics

The Brave and the Bold has been a title that seems to have struggled for an identity for quite a while. Originally serving as a title for Mark Waid and George Perez’s collaborations, the departures of first Perez and then Waid looked like they may have sunk the comic. When J. Michael Straczynski and Jesus Saiz finally were handed the reins after a series of guest creators, I think most readers felt the book was already on life support and wrote it off. Now that I’ve read their latest issue, I feel the need to give them credit where it’s due: if all issues from them are this good, The Brave and the Bold deserves to be a best-seller.

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Splendid Magic of Penny Arcade: The 11½ Anniversary Edition

By Jerry Holkins and Mike Krahulik
176 pages, color
Published by Del Rey Books

Penny Arcade is one of the harder-to-categorize web comics out there. It’s a comic that at a glance appears to be about video games, but can just as easily zoom off on tangents about other real world situations. It’s not a continuing strip, except when it is. Sometimes it shifts into a series of stories about characters that started as a one-off joke. It’s also becoming an empire run by its two creators, Jerry Holkins and Mike Krahulik, which includes charity drives, gaming conventions, and their own video games. It’s with all that in mind, though, that The Splendid Magic of Penny Arcade: The 11½ Anniversary Edition makes perfect sense, a combination of "best-of" and "behind the scenes" books rolled into one.

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American Vampire #1

Written by Scott Snyder and Stephen King
Art by Rafael Albuquerque
40 pages, color
Published by Vertigo/DC Comics

Lately, Vertigo’s launched their new series with a gimmick of a $1 cover price for the first issue, to try and pull in new readers. I’m amused that they didn’t feel the need to do that for American Vampire, although I do agree with their assessment. After all, when half of the issue is written by Stephen King, who needs a lower sales point to grab attention? The funny thing is, though, of the three main creators to work on American Vampire #1, I think I’d probably place King as only the third best in this comic. That’s not so much a slam on King, though, but rather how well Scott Snyder and Rafael Albuquerque do.

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Return of King Doug

Written by Greg Erb and Jason Oremland
Art by Wook-Jin Clark
184 pages, black and white
Published by Oni Press

When I heard about the basic premise of The Return of King Doug, I had to laugh. As far as concepts go, it’s a good one: young boy discovers a magic kingdom, is told he’s the king and savior, and responds by running screaming in the opposite direction. It’s a knowing nod towards series like The Chronicles of Narnia where instead of jumping full hog into the story as dictated to the child, we instead get a realistic, honest reaction. The only thing hovering in the back of my head as I heard about this, though, was that everyone would surely see exactly how the end of this story would play out. Fortunately, I think it’s also clear that writers Greg Erb and Jason Oremland understood that potential pitfall, too.

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DMZ #51

Written by Brian Wood
Art by Riccardo Burchielli
32 pages, color
Published by Vertigo/DC Comics

One of the many things that I appreciate about Brian Wood and Riccardo Burchielli’s DMZ is that it never seems to stay complacent, or even in one place for very long. It’s easy to see how it could have been that way; Manhattan turned into the demilitarized zone in the heart of a new American Civil War is full of endless story possibilities, and even last month’s special one-off DMZ #50 reminded readers of that via a series of glimpses of life across the island. But with the events of DMZ #49 still weighing heavily over the series, it’s refreshing to see Wood following through in brutal honesty.

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