Twilight Zone: The After Hours

Original story by Rod Serling
Adapted by Mark Kneece
Art by Rebekah Isaacs
72 pages, color
Published by Walker Books

I’ll admit that my initial reaction upon seeing upcoming adaptations of The Twilight Zone episodes into comics was, "Why?" Surely we had enough good comics out there that we didn’t need to jump back into the 1960s to find ideas? The more I thought about it, though, the more I realized it wasn’t such a bad idea after all. By aiming these books at younger readers, it’s an audience who has certainly never encountered the source material. And if they keep picking stories like The After Hours to turn into comics? Well, I hate to admit it, but it’s the kind of story that I think a lot of writers today wish they could write.

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Swallow Me Whole

By Nate Powell
216 pages, black and white
Published by Top Shelf Productions

Looking at the cover of Swallow Me Whole, I’ll admit that my first reaction was one of unease. There’s something creepy about it, with the character of Ruth levitating around the treetops, with insects all around her body even as Ruth looks back over her shoulder. It took me a few minutes to realize what had struck me so much about it; Ruth doesn’t look so much like she’s flying, here, but rather as if she’s being carried away by someone or something beyond her control. It’s that lack of control that I think punctuates all of Swallow Me Whole, making Nate Powell’s graphic novel a journey to somewhere very uncomfortable.

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Suburban Glamour Vol. 1

By Jamie McKelvie
104 pages, color
Published by Image Comics

There’s an old chestnut about out there how there are only so many stories out there, and that everyone is just repeating them over and over again. It’s a slight exaggeration (you really have to break the stories down to their absolute basics in order for that to work) but the important point behind it all is that more often than not, it’s not what you’re telling in your story but rather how you’re telling it. I think that’s very much the case with Jamie McKelvie’s Suburban Glamour; the absolute core of the story is nothing you haven’t seen before, but it’s his storytelling abilities that make the comic shine.

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My Brain Hurts

By Liz Baillie
128 pages, black and white
Published by Microcosm Publishing

One of the things I like about mini-comics is that, by their self-published (and often low-tech) nature, it lets creators jump right into creating comics on an open stage. This may sound a little strange, but by providing a print option for people to be creative, it often means that they’ll keep creating and refining their craft. I can’t think of a better example for this than Liz Baillie’s first collection of her mini-comic My Brain Hurts, compiling the first five issues of the mini-comic by the same name. Because while I liked the very first chapter of this book, the leap in skill between it and the fifth? It’s almost hard to believe it’s the same person.

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Real Vol. 1

By Takehiko Inoue
224 pages, black and white
Published by Viz

It’s hard to miss that I’m a big fan of Takehiko Inoue’s Vagabond, his re-telling of the life of Miyamato Musashi. As a result, there was no doubt in my mind that his other ongoing series, Real, would also be on my to-buy list. It’s not the first time Inoue tackled basketball—before Vagabond his series Slam Dunk was a huge hit in Japan (and is set to be reissued in English from Viz later this year)—so the fact that he was coming back to the subject immediately grabbed my attention. And now that I’ve read the first volume? It simultaneously is and isn’t what I had expected.

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Invincible Iron Man #1-4

Written by Matt Fraction
Art by Salvador Larroca
32 pages, color
Published by Marvel Comics

It took me almost a month to get around to seeing the Iron Man movie. The character’s just never been that terribly interesting to me; there just was never quite that hook that grabbed my attention and imagination for more than a few minutes. So when I finally did see the film (due to all the positive word-of-mouth), I was very pleasantly surprised by the amount of fun I had seeing it. That’s actually also how I feel about Matt Fraction and Salvador Larroca’s take on the character with their new series The Invincible Iron Man. It’s only taken me four months, but I finally sat down and read them—and I’m actually really looking forward to the fifth issue.

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Criminal Vol. 2 #4

Written by Ed Brubaker
Art by Sean Phillips
40 pages, color
Published by Marvel Comics

There are some books on the market that I think people take for granted—it’s out there, it’s entertaining, it will be waiting for you whenever you’re ready for another dose. So often, though, those books are the ones that people should be talking up a lot more. Books like Criminal aren’t just something you should stop by and read every once in a while, they’re books that you should celebrate every time a new issue hits the stands. With Criminal Vol. 2 #4 now out, it’s the start of a brand-new story—so what are you waiting for?

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Amazing Remarkable Monsieur Leotard

Written by Eddie Campbell and Dan Best
Art by Eddie Campbell
128 pages, color
Published by First Second Books

One of the best things about Eddie Campbell is that, as a creator, I never feel like he’s fallen into a rut. Each new project always seems very different from the previous one, trying out new ideas and storytelling tactics. Sure enough, his and Dan Best’s new book, The Amazing Remarkable Monsieur Leotard, is completely different from the last book of Campbell’s I read. And in some ways, I think it’s my favorite book from Campbell in a long while.

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Paris

Written by Andi Watson
Art by Simon Gane
144 pages, black and white
Published by SLG Publishing

For someone who loves most of Andi Watson’s creations, I really have no idea why it’s taken me this long to finally read Paris. It’s been a strange sort of blind spot amidst books like Breakfast After Noon, Slow News Day, or Glister. And now that I’ve read it? I must admit that it wasn’t at all what I was expecting from Watson.

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Supernatural Law #45

By Batton Lash
32 pages, black and white
Published by Exhibit A Press

If you’ve ever read Batton Lash’s Supernatural Law before, you’ll know that over the years Lash has parodied a wide variety of subjects; horror movies, comic books, and the real world are all places that Lash has alluded to with his characters that are inevitably represented by Alanna Wolff and Jeff Byrd in the courtroom. You can imagine my surprise, then, when the new Supernatural Law showed up with the Toxic Avenger. Not a parody, not a thinly disguised version, but the real thing. And you know what? It made me wish that Lash could do this more often.

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