Museum Vaults

By Marc-Antoine Mathieu
64 pages, black and white
Published by NBM

When I first heard about the Louvre commissioning four graphic novels set within the art museum itself, I was a little intrigued and, at the same time, worried. The idea seemed sound enough, but I couldn’t help but fear that each book would either so gushingly about the Louvre that it would become off-putting, or alternately sanitized to the point of boredom. In the case of Marc-Antoine Mathieu’s The Museum Vaults, though, I was quite surprised to find something extremely different.

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Myth Adventures

Adapted and penciled by Phil Foglio
Inked by Tim Sale
Based on a book by Robert Asprin
240 pages, color
Published by Airship Entertainment

In 1985, I’d only recently discovered comic books. One of the first ones I bought, though, was Myth Adventures, an adaptation of Robert Asprin’s novel Another Fine Myth. At the time, I thought it was one of the funniest things I’d read in years, eventually making me rush out and buy Asprin’s Myth series because I just couldn’t wait for another issue. And while at the time I thought that Phil Foglio’s rendition of Asprin’s novel was fantastic, many years later I’ve always wondered how well it would hold up to a re-reading. Foglio seems to have decided to call my bluff, then, with a complete collection of all eight issues finally available again.

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Ghost Stories

By Jeff Lemire
112 pages, black and white
Published by Top Shelf Productions

Do you ever feel like you’ve already read a book before you even begin? It’s not a sense of déj? vu, but rather a sense of familiarity about the book’s story. That’s how I felt like when reading Jeff Lemire’s Ghost Stories, like I’d somehow already experienced the story, and that I was being reunited with an old friend.

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Legion of Super-Heroes #37-38

Written by Jim Shooter
Penciled by Francis Manapul
Inked by Livesay
32 pages, color
Published by DC Comics

If you ask long-time Legion of Super-Heroes fans what eras make up the high points of the series, almost every single one will include Jim Shooter’s run on the book. Famously beginning writing the series at the age of 14, Shooter created numerous long-running characters for the series, and to great success. Now, some 30 years after he last left the book, Shooter has returned to the book that began his comic book career. But are the two still a good fit for each other?

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Dungeon Parade Vol. 1: A Dungeon Too Many

Written by Joann Sfar and Lewis Trondheim
Art by Manu Larcenet
64 pages, color
Published by NBM

I really have to give Joann Sfar and Lewis Trondheim credit when it comes to their series Dungeon, in that in just about any other hands it would no doubt go horribly wrong. It’s not enough that there are three “main” series (Dungeon The Early Years set in the past, Dungeon Zenith being the “present” glory years, and Dungeon Twilight the apocalyptic future of the series), but they even went and created spin-offs. One of these spin-offs is Dungeon: Parade, additional stories set in-between the first two volumes of Zenith, additional light-hearted romps starring Marvin the Dragon and Herbert the Duck. And you know what? Sfar and Trondheim are clearly inspired by all of these routes and side-tracks, because Dungeon Parade shows no signs of stopping the high levels of enjoyment here.

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Papercutter #6

By Ken Dahl, Alec Longstreth, Laura Park, Julia Wertz
40 pages, black and white
Published by Tugboat Press

Concluding the look at Greg Means’s anthology comic Papercutter is, interestingly enough, an issue not edited by Means. Unlike Papercutter #4 or #5, Papercutter #6 was guest-edited by Alec Longstreth. For a book that defined its identity in part by stories and creators that Means liked and wanted to commission, having someone else in charge of an issue of Papercutter made me wonder if the overall tone of the comic would change. And while I think this issue was a little different, that wasn’t necessarily a bad thing.

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Foundation #1

Written by John Rozum
Art by Chee
24 pages, color
Published by Boom! Studios

Most people, if asked what they’d do with knowledge of the future, answer along the lines of, “Win the lottery.” Once you get past the most materialistic urges, though, the bigger question becomes what would people do if they could get brief snatches of information about the years to come? John Rozum’s new series The Foundation takes that tactic with a particularly well-known figure when it comes to future predictions. The end result, though, seems a little too predictable at first.

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Gutsville #1-2

Written by Simon Spurrier
Art by Frazer Irving
32 pages, color
Published by Image Comics

Most stories aren’t really that different from one another. It’s the same basic ideas, dressed up in the same basic trappings. Every once in a while, someone’s changed the scenery slightly that makes you raise an eyebrow and think, “All right, that’s a tiny bit different.” But then, if you’re really lucky, you might just come across something that has dreamed up a setting so vastly different from what you’re used to that you can’t help but be enchanted by it. And that’s exactly how I felt after reading the first two issues of Simon Spurrier and Frazer Irving’s Gutsville.

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Papercutter #5

By Liz Prince, Bwana Spoons, and Kazimir Strzepek
32 pages, black and white
Published by Tugboat Press

When I initially read Papercutter #4-6, the Greg Means-edited anthology comic, I figured I would just review all three issues at once, devoting a small amount of space to each issue. It wasn’t until I sat down that I realized that each issue really deserved its own review; the works on display here are just that strong that you can’t dismiss them with a single sentence in passing. In the case of Papercutter #5, I think Means continued to find the balance he struck in #4, with a good mix of styles and creators. I didn’t think a apocalyptic fantasy story would fit alongside a story of a relationship being born, but Means proved me absolutely wrong.

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Infinite Horizon #1

Written by Gerry Duggan
Art by Phil Noto
28? pages, color
Published by Image Comics

I am a sucker for Greek mythology. I grew up reading the stories as a child, and as an adult spent time studying the material in university, learning so much more than what the watered-down, sanitized versions of my childhood stories had shown. Maybe I’d just been oblivious, but I managed to completely miss the press roll-out for The Infinite Horizon, so it wasn’t until my second read-through that it finally sunk in—Gerry Duggan and Phil Noto had re-imagined Homer’s The Odyssey into present day times. And you know what? I’m doubly impressed with their efforts as a result.

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